Kit Wilson already has a clear vision for the kind of WrestleMania entrance he would want if WWE gave him the biggest possible stage: BLACKPINK handling the music, movement and spectacle while he makes the walk to the ring.

Wilson, who is currently aligned with The Miz on WWE programming, discussed his ideal live entrance performance during an appearance on the Battleground podcast. Asked to name an artist he would want to perform for him, Wilson did not hesitate to lean into his present musical interests. The answer was the globally successful K-pop group BLACKPINK.

Rather than simply choosing a favorite song or a major mainstream act, Wilson explained that he sees a WrestleMania presentation as something that should fit the full tone of a performer. He said he has been exploring music extensively, but feels female vocalists are particularly suited to the kind of entrance sound he would want.

“I’m a lover of music,” Wilson said. “I got so much to explore in that world. But my music… I need female vocalists.”

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Wilson added that he is currently on what he called a K-pop binge and singled out BLACKPINK’s four members as his preferred choice. For him, the appeal goes beyond their music. He sees the group as capable of delivering the type of all-encompassing showmanship that a major WWE event demands.

“I’m going to get the four girls from BLACKPINK and I would love them to hit that WrestleMania performance,” Wilson said.

A live musical entrance has long been one of WWE’s most effective ways to make WrestleMania feel distinct from every other event on the calendar. The company has regularly used singers, bands and celebrities to perform wrestlers’ themes in front of massive stadium crowds. When it works, the live arrangement becomes part of the match’s identity, turning an entrance from a walk to the ring into a lasting visual and musical moment.

Wilson’s pitch would place him in the middle of that tradition, but his concept is not built around trying to compete with the performers behind him. Instead, he would let BLACKPINK provide the energy and choreography while he maintains a composed, camera-focused presence on the long walk to the ring.

“Those guys are triple threats,” Wilson said of BLACKPINK. “They can sing, they can dance, they can perform, they can act, they can do it all.”

He then laid out the role he would play in the production: a deliberate strut down the WrestleMania ramp while the group creates the spectacle around him. Wilson noted the length of the ramp at WWE’s largest annual show, suggesting that having a major act behind him would make the journey feel even bigger.

“I’ll leave the singing and dancing to them and I will just strut with a serious face down that ramp,” Wilson said. “I’m going to let the magic happen behind me. I’m just going to focus on the camera and I’m going to walk.”

Why the Choice Fits Wilson’s WrestleMania Ambition

Wilson’s answer reflects the importance of presentation in modern WWE. An entrance can establish a wrestler’s attitude before the bell rings, reinforce a character’s confidence and give fans an immediate cue about how seriously they should take the moment. A live appearance by BLACKPINK would obviously represent an enormous crossover attraction, but Wilson’s explanation also shows that he has considered the visual side of the idea.

He is not describing a performance in which the wrestler is merely standing beside a famous act. He is imagining a carefully divided presentation: BLACKPINK owns the performance elements, while Wilson owns the walk, his expression and his interaction with the cameras. In wrestling terms, that is a straightforward character statement. The entrance would tell viewers that he believes he belongs in a grand setting without requiring him to say a word.

The choice is also notable because Wilson framed it around appreciation rather than a generic celebrity wish list. He specifically praised the group’s ability to sing, dance, perform and act. Those are qualities that naturally translate to a wrestling stadium production, where sound, timing, movement and visual presence all matter. WrestleMania entrances frequently depend on performers who can play to an enormous building rather than simply deliver a song, and Wilson clearly views BLACKPINK as capable of doing exactly that.

There is no indication that a WrestleMania appearance involving BLACKPINK is planned. Wilson was answering a hypothetical question about his dream performance. Still, the answer provides a glimpse into the kind of presentation he would seek should he receive a featured WrestleMania opportunity in the future.

Wilson’s Current WWE Position

On WWE television, Wilson is presently paired with The Miz. The alignment puts Wilson alongside one of the company’s most recognizable personalities, a performer whose career has often been defined by confidence, self-promotion and an understanding of how to make a major event feel like a red-carpet occasion. That context makes Wilson’s vision of a polished, star-driven entrance especially fitting.

Both Wilson and The Miz were involved in a WrestleMania moment earlier this year that also included John Cena, Danhausen and a group of Minihausens. The appearance connected Wilson to a highly unusual mix of established WWE star power, celebrity-level spectacle and the eccentric personality associated with Danhausen.

For a wrestler looking to create his own distinct identity, those types of moments can be valuable. WrestleMania is not only about wins and losses; it is also where performers can become attached to images, entrances, segments and unexpected interactions that remain in fans’ memories long after the show ends. Wilson’s comments suggest that he understands the value of building one of those memorable images for himself.

Live Music and the WrestleMania Stage

The appeal of Wilson’s answer rests in the scale of WrestleMania itself. WWE’s flagship event is designed as a stadium-sized entertainment spectacle, and the company has often sought ways to make its biggest entrances feel larger than the usual weekly television format. Elaborate stage designs, extended ramps, pyro, special gear and live music all contribute to that goal.

A K-pop performance would bring a different flavor to that environment. The genre is built on tightly coordinated choreography, polished visuals and fan engagement on a global scale. Wilson’s plan to simply “strut” while BLACKPINK performs is intentionally uncomplicated, but that simplicity is part of the pitch. Rather than overcrowding the segment, he would use the group’s performance as the backdrop for a controlled, self-assured entrance.

That idea also speaks to the way wrestlers think about music as an extension of character. Entrance themes are not just background noise; they are an audible announcement that shapes crowd response and communicates a persona in seconds. A live version from a group with BLACKPINK’s profile would immediately signal that the wrestler receiving it sees the occasion as a major one.

For Wilson, the ideal scenario is plainly less about performing himself and more about knowing how to occupy the scene. He wants the vocalists and dancers to do what they do best while he delivers the look and attitude of someone ready for a WrestleMania spotlight.

A Dream Scenario, Not a Confirmed Plan

At present, Wilson’s BLACKPINK idea remains a personal WrestleMania wish. No event appearance, collaboration or live entrance performance has been announced. But the response offered an entertaining and revealing answer from a WWE talent who has a specific sense of the kind of atmosphere he wants around him on the company’s grandest stage.

Whether the dream ever becomes reality, Wilson has made his preference clear. He wants a world-class pop act behind him, a long WrestleMania ramp in front of him and a camera waiting for the serious-faced walk. In his mind, BLACKPINK can handle the magic. His job is to make the entrance look effortless.

ABOUT THE AUTHOR

Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.