Sol Ruca understands that having one of WWE’s most visually spectacular finishing moves comes with an unusual challenge. The Sol Snatcher, her springboard front-flip cutter, is the type of move that can instantly change the energy in an arena. It is distinctive, athletic, and immediately recognizable. For a wrestler who became a fan favorite during her WWE NXT run and was called up to the main roster after WrestleMania 42, it has become a defining part of her presentation.
But a finish that is so popular can also reshape the way viewers watch the rest of a match. Fans know what they are waiting for. When Ruca attempts a pinning combination or executes another impactful maneuver, there can be an instinctive expectation that the match is not over because the Sol Snatcher has not yet happened. That dynamic can make convincing near falls more difficult, even when the action leading to them is strong.
Speaking on HUGE POP!, Ruca was asked whether the move can be a “double-edged sword” because audiences may focus so intensely on anticipating the major highlight that they do not fully invest in other potential finishes. Ruca acknowledged that the concern has crossed her mind, but she does not see it as an issue that can only be solved by changing the move itself.
“I’ve definitely had that thought before, however, I feel like it’s all about everything else that you do in the ring, and like with the emotion you’re putting behind it,” Ruca said on HUGE POP!.
For more background on this topic, read CM Punk Says Recurring Vertigo Has Affected Matches Since 2002 Skull Fracture.
That answer speaks to an important part of the transition from an exciting athlete with a standout highlight to a well-rounded main-roster performer. The Sol Snatcher may be the move that generates the loudest immediate reaction, but Ruca’s view is that a match cannot rely on one moment alone. The credibility of every kickout, every pin attempt, and every shift in momentum comes down to the story being told between the ropes.
Ruca specifically pointed to the importance of selling the possibility that a match could end before she gets the opportunity to use her signature move. A wrestler’s physical reaction after a two-count can communicate much more than the count itself. If the audience sees genuine frustration, disbelief, urgency, or exhaustion, it has more reason to consider the possibility that the prior move was intended as a match-ending moment.
“Because yes, sometimes the fans might not bite on a [false finish] that I do with someone, because they know that’s not my finish,” Ruca said. “However, if you put the emotion behind it, if you’re pinning the person like, ‘This is it,’ and then they kick out and your face changes, I feel like that’s how they bite into it.”
It is a practical observation from Ruca, particularly because the Sol Snatcher is not a finish that can be casually inserted at any point in a match. Its setup is part of its drama. Ruca must get into position, use the ropes, and create the opening for the springboard sequence. That gives opponents opportunities to avoid it and gives crowds a clear signal that the match may be approaching its conclusion.
In many ways, that makes the Sol Snatcher especially useful. The anticipation surrounding it can build suspense rather than merely undermine other offense. If a rival prevents Ruca from reaching the ropes or catches her during an attempt, the crowd has a reason to react before the finish is even delivered. The move becomes a source of tension, not simply the final punctuation mark.
Still, Ruca’s comments make clear that she is aware of the responsibility that comes with such a recognizable closer. A high-flying finish can create an expectation that the wrestler’s biggest contribution to a bout will be the final highlight. Ruca is trying to ensure that her facial expressions, body language, and reactions carry enough weight that fans remain engaged with the full performance rather than treating everything before the Sol Snatcher as a waiting period.
She said she has been working on the subtler parts of her character presentation, including facial expressions. Those details can be especially significant on WWE television, where the camera is often close enough to capture a performer’s response to a near fall, a counter, or an opponent’s unexpected resilience. Ruca’s athletic ability has long been a major asset, but her focus on those smaller moments suggests an effort to add more depth to how she communicates inside the ring.
Why a Secondary Finish Could Change the Equation
Ruca was also asked whether she has considered developing another finishing move. She confirmed that it has been a thought, though she does not appear interested in simply finding a second aerial move that tries to compete with the Sol Snatcher for attention.
“I think if I were to have a secondary finish, it probably has to be something that’s not high-flying,” Ruca said. “Maybe a submission or more of a power move, because I do think that my finish, I don’t know if I can top that.”
That is a sensible distinction. The Sol Snatcher already occupies the high-risk, high-impact portion of Ruca’s offense. A second finisher with a different identity could give her matches an additional layer without diminishing what makes the existing move special. A submission would allow her to threaten victory in a completely different position, while a power-based finish could provide an answer for situations where the ropes are unavailable or an opponent has successfully neutralized her aerial attack.
More importantly, a secondary finish would make opponents and audiences account for more possibilities. If Ruca can win with a move from the mat or with a power maneuver after a scramble, then a near fall following that attack carries a different kind of suspense. It does not need to replace the Sol Snatcher. Instead, it could reinforce the idea that Ruca is dangerous throughout a match, not only once she has climbed into position for her signature springboard sequence.
There is also a storytelling benefit to keeping the Sol Snatcher as the ultimate weapon while adding another route to victory. Ruca could use a secondary finish when an opponent has scouted the cutter, when she is injured, when she needs to show a more aggressive side, or when a particular match calls for a different strategic approach. None of those possibilities require changing the appeal of the Sol Snatcher. They would simply make the move’s eventual use feel less inevitable.
Maintaining the Move’s Special Appeal
Ruca’s uncertainty about whether she can “top” the Sol Snatcher is understandable. The move has become closely associated with her because it showcases the athletic style that helped make her stand out in WWE NXT. Its combination of speed, precision, and sudden impact gives it an identity that is difficult to duplicate. Trying to outdo it with another high-flying move could risk creating a sequence that feels forced or needlessly complicated.
That does not mean the move needs to be protected by limiting the rest of Ruca’s development. Her remarks instead point toward balance. The Sol Snatcher can remain the exclamation point while the rest of her offense, personality, and match structure become more convincing. The stronger those elements are, the greater the reaction can be when the move finally lands.
For Ruca, the question is not whether fans should stop anticipating the Sol Snatcher. That anticipation is evidence that the move is working. The challenge is to make every other stage of the match meaningful enough that the crowd can believe in a different outcome. If she succeeds, the finishing move becomes even more effective: not a predictable destination, but a looming threat that can arrive at any moment.
As Ruca continues her main-roster run following WrestleMania 42, that balance will remain a key part of her in-ring evolution. She already has a finish that can command attention in an instant. Her current focus is on giving fans reasons to care just as deeply about what happens before it, whether that means a desperate pin attempt, an emotional reaction to a kickout, or eventually a new submission or power-based weapon.
The Sol Snatcher may be a double-edged sword in the sense that it sets an exceptionally high standard for audience expectation. But Ruca’s comments show that she views that challenge as an opportunity to become a more complete performer. A signature move can create the first reaction. The work around it is what turns that reaction into sustained investment from bell to bell.
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Darryl Polo
Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.