Joe Hendry is taking his distinctive blend of wrestling, music and topical comedy into a larger format with the upcoming release of Beyond Belief, an album scheduled to arrive on October 5.

Hendry revealed new details on social media alongside a trailer promoting the project, confirming a collection of songs that draws directly from the personality and audience connection that have made him one of WWE’s most unconventional performers. The announced track list includes material centered on Hendry himself, wrestling staples and a pointed song aimed at Logan Paul.

The album is being released through WWE Music, continuing a creative relationship that Hendry discussed earlier this year. His music has long been integral to his presentation, rather than simply an entrance theme or side project. Hendry’s songs have regularly functioned as extensions of his character: immediate, crowd-friendly and often designed around whatever conversation is dominating wrestling television at a given moment.

‘Beyond Belief’ track list revealed

Hendry named the following tracks for Beyond Belief:

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  • “Give Joe Hendry Every Single Belt”
  • “If I Can’t Have Joe Hendry”
  • “If You Don’t Love Joe Hendry”
  • “Everybody Else”
  • “Tables, Ladders & Chairs”
  • “Highland Cows”
  • “Fire Logan Paul”

The titles immediately reflect the range of Hendry’s act. “Give Joe Hendry Every Single Belt” plays into the ambitious, self-assured tone that has helped shape his on-screen identity, while “If I Can’t Have Joe Hendry” and “If You Don’t Love Joe Hendry” continue the artist’s habit of placing his own name and persona at the center of a memorable hook.

Elsewhere, “Tables, Ladders & Chairs” points toward the language and spectacle of professional wrestling itself. “Highland Cows” brings a distinctly Scottish flavor to the list, fitting Hendry’s background and his willingness to find character material in subjects other wrestlers might never consider. The inclusion of “Fire Logan Paul” is especially notable because it comes from a topical piece of material Hendry had already discussed creating quickly for television.

That speed is a crucial element of the project. Wrestling is a weekly medium driven by current rivalries, crowd responses and rapidly changing storylines. Hendry’s musical approach has succeeded because it can react to that environment instead of feeling detached from it. An album provides an opportunity to collect those ideas in one place while still preserving the immediacy that makes them work in an arena or on a live broadcast.

Hendry explains the WWE Music recording process

During a May appearance with Chris Van Vliet, Hendry confirmed that he had recorded an album with WWE Music and described the setup that enabled him to continue working on new songs without repeatedly traveling to New York.

“I have recorded an album with WWE Music, and it’s going to drop this summer. We recorded most of that in New York at the WWE Studios. So what I’ve done now is the microphones that we have there, I have basically replicated the setup back home now, so I don’t need to fly to New York to do it. I can send stuff in, and we can work on it back and forth.”

Hendry’s explanation offered a useful glimpse into why his work can remain so closely tied to current events. Rather than requiring every vocal or musical idea to wait for a studio trip, he now has a home setup designed to match the recording environment used by WWE Music. That allows Hendry and the music team to exchange material remotely and refine songs on a much faster timetable.

He specifically connected that process to the need for topical material in wrestling.

“So that’s one of the things that makes these songs work, is because they’re fast and they’re topical, so we can basically, we obviously did the Logan Paul song on TV, but we were able to just get it done that week, because we could send files back and forth. But yes, there is an album coming out.”

“Fire Logan Paul” now stands as one of the confirmed tracks on Beyond Belief. Its presence reinforces Hendry’s point that the material is not being developed solely as a conventional album detached from WWE programming. Instead, the songs can be built to serve the moment, then preserved as part of a wider music release.

That model is particularly suited to Hendry. While many WWE entrance songs establish mood and identify a performer, Hendry’s music can advance a rivalry, generate a reaction, mock an opponent or give the audience a simple phrase to repeat. The songs are part of the performance, and the performance can quickly become part of the song.

A musical extension of the Joe Hendry phenomenon

Hendry’s rise has been fueled by an ability to make his presentation feel participatory. His name, his entrance and the expectation of a catchy musical payoff encourage fans to engage from the opening moment. The concept behind Beyond Belief appears built around expanding that appeal beyond a single theme song.

The announced titles suggest that the record will not be limited to serious promotional anthems. Hendry’s strongest material has often mixed confidence with absurdity, allowing the audience to laugh with him while still accepting him as a credible performer in the ring. A song about championship belts can coexist with one about Highland cows because the contrast is central to the character’s appeal.

That does not make the project separate from Hendry’s wrestling goals. “Give Joe Hendry Every Single Belt” is plainly aligned with the competitive world of WWE, where championships remain the clearest statement of a star’s standing. The title can work as a humorous slogan, but it also fits the kind of bold declaration expected from a wrestler seeking to climb the card.

Likewise, a track such as “Tables, Ladders & Chairs” uses instantly recognizable wrestling imagery. Whether it is tied to a particular storyline or event was not detailed in the announcement, but the title alone makes clear that Beyond Belief is intended for an audience fluent in the culture and vocabulary of sports-entertainment.

Momentum continues following Raw return

The album news arrives after Hendry returned to television following a month away. He reappeared on the August 31 episode of Raw, coming to the aid of Je’Von Evans during an issue involving Judgment Day members Dominik Mysterio and JD McDonagh.

Hendry then defeated McDonagh on Monday’s Raw, giving him a meaningful in-ring result immediately after his return. The win also placed him opposite an established group that continues to hold a major presence on WWE programming, ensuring that his comeback was not treated as a quiet reset.

His re-emergence and the album rollout complement each other. Hendry’s visibility on television gives the record a natural platform, while the music release offers another avenue for viewers to connect with the character between shows. For a performer whose identity is so closely linked to songs and crowd participation, the two sides of his work are difficult to separate.

There is also a practical benefit in the October 5 date. By confirming the release and several song titles in advance, Hendry has created a runway for fans to anticipate the project while WWE programming continues to establish what comes next for him following the McDonagh victory. The existing familiarity of titles such as “Fire Logan Paul” may help bring listeners in, while the remaining songs offer the prospect of new additions to his growing musical catalog.

October 5 date gives fans a full Hendry collection

Beyond Belief represents a substantial next step for Hendry’s music within WWE. The album is not merely a repackaging of an entrance presentation; it is a collection built from the same rapid-response creativity that has become a defining feature of his career.

Hendry’s comments make clear that the technical side matters as much as the idea itself. Replicating the WWE Studios microphone setup at home has given him a way to keep pace with wrestling’s weekly rhythm, creating and revising songs while events are still fresh. In an industry where relevance can change from one episode to the next, that flexibility is a major asset.

Fans will find out how the full collection comes together when Beyond Belief releases on October 5. Until then, Hendry’s track list offers a clear preview of what to expect: championship ambition, wrestling references, Scottish character, topical humor and, above all, more songs designed to make people believe in Joe Hendry.

ABOUT THE AUTHOR

Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.