Bryan Keith wants a familiar piece of his independent-wrestling identity back when he appears for All Elite Wrestling and Ring of Honor.

Keith has used Mike Jones’ “Still Tippin’” as his entrance music on the independent scene, a fitting selection for a wrestler closely associated with Houston and Texas wrestling culture. The song was also heard during some of Keith’s earliest AEW and ROH appearances. However, it has not remained his regular entrance theme in those promotions.

During an appearance on Knockouts and 3 Counts, Keith addressed the possibility of once again walking out to “Still Tippin’” for AEW and ROH. He did not present it as a completed change or an imminent announcement. Instead, Keith made it clear that he is actively hoping the song can return.

Keith said he is pushing hard to make it happen after having the track available for a handful of appearances when he initially arrived. His comments establish that bringing back the music remains something he wants, but there has been no confirmation that AEW or ROH will use it again on a permanent basis.

For more background on this topic, read Bryan Keith Says Big Bill Partnership Pushed Him to Improve in AEW.

Why the song matters to Bryan Keith

Entrance music is often more than a background track, particularly for performers whose presentation has been built over years outside of national television. For Keith, “Still Tippin’” has been part of a broader connection to his home region and the identity he established while working independently.

Keith first began using the song through his connection with the Swishahouse music label. That association gave the entrance an added layer of authenticity beyond simply choosing a recognizable record. It linked his walkout to the Texas roots that have remained central to the way he is presented and received by fans.

The use of a specific song can immediately communicate a wrestler’s personality before a match begins. In Keith’s case, “Still Tippin’” carries a clear regional character and a confident tone that aligns with the hard-hitting, no-frills approach that has defined much of his wrestling persona. A theme does not replace in-ring performance, but it can make an entrance feel more complete and distinct.

That is especially relevant as wrestlers move between independent promotions, Ring of Honor tapings, and AEW television. A recognizable musical cue can provide continuity for viewers who have followed a performer across different settings. It can also give newer fans a concise introduction to a wrestler’s background and attitude.

Keith’s comments suggest that his interest is not merely nostalgia for an earlier period of his career. He wants the song to be part of how he is introduced now, while he continues working under the AEW and ROH umbrella. Whether that can be arranged will depend on factors that have not been publicly detailed.

Keith has used the track in AEW and ROH before

There is already a precedent for the music appearing in Keith’s AEW and ROH presentation. When he first began appearing for the companies, he used “Still Tippin’” on several occasions. That history is significant because it means the idea is not new to the audience or disconnected from his time in the promotions.

At the same time, prior use does not guarantee that the song will return. Keith did not announce a deal, a new creative plan, or a date for a change in entrance music. His remarks were a straightforward expression of preference: he wants the theme back and is advocating for it.

Music usage in wrestling can involve practical considerations beyond a wrestler’s own preference. Rights, clearance arrangements, broadcast usage, and promotional decisions can all affect whether a licensed song is used regularly. Keith did not discuss those specifics, and no explanation was given for why the track stopped being part of his regular presentation after those early appearances.

For that reason, the current situation is best viewed as an open possibility rather than a confirmed development. The key takeaway from Keith’s appearance is that he remains invested in restoring a theme that has become strongly associated with him outside AEW and ROH.

Recent appearances for AEW and Ring of Honor

Keith’s most recent match for the company came at a Ring of Honor taping in August. His last match on AEW programming took place in May 2026, when he challenged Kazuchika Okada for the AEW International Championship.

The Okada match represented a notable opportunity for Keith, placing him opposite one of AEW’s biggest names and in a championship setting. While the available information does not indicate a title change, the match itself underscored that Keith has been used in meaningful competitive situations on AEW programming.

His August appearance at a Ring of Honor taping also reflects the connection between the two brands in his current schedule. Keith’s hope to use “Still Tippin’” applies to both AEW and ROH, rather than being limited to one show or one type of appearance. That makes sense for a performer seeking a consistent identity whenever and wherever he enters the ring.

A return to the theme would be immediately noticeable to longtime followers who associate the song with Keith’s independent work. It could also help create a stronger through line between that part of his career and his matches in AEW and ROH. For fans encountering him for the first time through those platforms, the song could become a defining part of the overall package.

A personal request, not a formal announcement

It is important to separate Keith’s desire from any official confirmation. He has publicly indicated that he wants the song back and that he is strongly lobbying for it, but neither AEW nor ROH has announced a music change for him. There is no stated timetable for the theme’s return, and there is no indication that it will be used at his next appearance.

Still, wrestlers voicing their preferences can be meaningful. A performer generally understands which aspects of presentation feel natural, which elements connect to their history, and which details help them stand apart in a crowded roster. Keith’s attachment to “Still Tippin’” is rooted in a real connection to the music and to the regional identity it represents.

In an environment where entrance presentations can shift depending on show format, television needs, and availability, Keith is making a case for something recognizable and personal. He is not asking to reinvent his character. He is advocating to restore a piece of the identity fans already know.

For now, the matter remains unresolved. Keith last competed at a Ring of Honor taping in August, while his most recent AEW match was the May 2026 AEW International Championship challenge against Okada. Whenever his next AEW or ROH entrance arrives, fans will be listening to see whether the Houston-connected anthem he wants has made its way back into the arena.

ABOUT THE AUTHOR

Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.