Kevin Knight knows exactly which song he would choose if he were handed the opportunity to make a one-night-only entrance memorable.
Speaking on the Battleground podcast, Knight named D4L’s Atlanta rap classic Scotty as the track he would want for a special entrance. The wrestler made clear that the selection is not a spontaneous answer. It is a song he has considered using for some time, one that he feels would immediately raise his energy before stepping through the curtain.
“Oh, I got to go with the ATL classic, Scottie by D4L. Like that song going to turn me up every single time. I’ve thought about that for a long time. I got my own idea for a remix. If I could ever get in contact with D4L, let’s cook something up, Tony. Let’s do this. We could make some magic. We can make some magic.”
Knight’s answer was framed around a hypothetical special entrance rather than a confirmed music change. There is no indication that the song has been secured, that a remix has been produced, or that an entrance using the track has been scheduled. Still, Knight’s comments establish both the song at the top of his list and the creative direction he would pursue if the opportunity came together.
For more background on this topic, read Kevin Knight Says Katsuyori Shibata’s Biggest Lesson Was Patience.
An Atlanta Classic at the Center of Knight’s Idea
Scotty is closely associated with Atlanta’s D4L, making Knight’s choice a regional nod as well as a musical one. He specifically described it as an “ATL classic,” emphasizing the personal response the record creates for him. In wrestling, entrance music has to do more than fill the arena before a match. It has to set a performer’s pace, give the audience an instant emotional cue, and help establish the difference between an ordinary walkout and a moment designed to stand apart.
For Knight, the appeal appears to be rooted in momentum. He said the song would “turn me up every single time,” a straightforward description of why certain tracks become natural fits for a wrestler’s presentation. A special entrance is often most effective when the performer is visibly energized by the music, rather than simply using a recognizable song for the sake of recognition. Knight’s response suggests that Scotty carries that kind of immediate charge for him.
The choice also fits the nature of a one-night entrance. A song used on a limited basis can create a distinct atmosphere without replacing the theme that fans regularly connect to a wrestler. It can give a major match, hometown appearance, or particularly significant show an added layer of identity. Knight did not identify a specific event or match where he would want to use the song, but he was clear that he has envisioned the possibility.
Knight Would Want More Than a Standard Licensed Track
What makes Knight’s answer more ambitious is that he did not merely name Scotty and leave it there. He said he has “my own idea for a remix,” then directly expressed interest in connecting with D4L to make something new. His mention of Tony was a call for the concept to be explored, with Knight saying, “Let’s cook something up.”
That detail points to a larger creative possibility than simply playing an existing recording. A custom remix could preserve the elements Knight likes about the original while tailoring the structure and feel to a wrestling entrance. Entrance themes are built around timing: the opening seconds matter, the walk to the ring has to match the song’s rhythm, and a performer needs room for the visual beats that make an entrance work in a live arena.
Knight did not reveal what his remix would sound like, nor did he offer any production specifics. His idea remains a pitch rather than an announced collaboration. But the fact that he has already thought beyond the song choice itself shows he has a specific vision for how the entrance could feel. He believes a partnership with D4L could “make some magic,” underscoring how strongly he views the record as a fit for his presentation.
Why Special Entrances Continue to Matter
Special entrances have become a familiar way for wrestling promotions to add significance to select matches and appearances. They can be built around live performances, artist collaborations, new arrangements, or songs that are used for a single occasion. The approach does not have to alter a wrestler’s character permanently to be effective. In many cases, the limited nature of the entrance is exactly what gives it value.
A recognizable song can change the mood in the building before the bell rings. It can also introduce a different side of a wrestler’s identity, whether through their musical taste, geographic connection, or a collaboration that has meaning beyond the match itself. Knight’s selection checks several of those boxes. The Atlanta connection is central to how he discussed the song, while his desire for a remix indicates he would want the performance to feel individual rather than borrowed.
There is also a practical distinction between an entrance concept that sounds appealing in conversation and one that can actually happen. Music rights and artist participation can determine whether a specific track is available for wrestling use. Knight’s comments did not address those considerations, and no agreement was announced. His remarks should therefore be viewed as an expression of interest and creative intent, not confirmation of future plans.
Even so, ideas such as Knight’s are part of what makes discussions about wrestling entrances compelling. A performer’s music is frequently the first thing an audience hears and one of the last details it remembers. Fans often associate major entrances with milestone matches because the music, lighting, crowd reaction, and wrestler’s body language combine into a single scene. Knight clearly has a track in mind that he believes could produce that kind of feeling.
A Personal Creative Wish, Not an Announcement
Knight’s comments also offer a glimpse at the thought performers put into elements that may appear simple from the audience’s perspective. Selecting a song requires considering whether it fits the wrestler’s personality, whether it will connect in an arena, and whether it gives the performer confidence. His response centered most on that last factor. The song is something that would energize him every time, which is a meaningful test for any entrance music.
That confidence can translate directly to the presentation once a wrestler reaches the ring. While the match remains the centerpiece, the entrance provides the opening statement. A special track can make that statement louder, especially when it is connected to a performer’s own background and tastes.
Knight has not put a timetable on the idea, and he did not say that discussions with D4L are underway. At this stage, Scotty is simply his answer to the question of what he would use for one night only. But it is an answer delivered with enough enthusiasm to make the concept easy to picture: an Atlanta-inspired entrance, a potential remix, and a wrestler ready to use a familiar song to create a different kind of arrival.
For now, the proposal remains just that. If the circumstances ever align, however, Knight has already made his preference known. The D4L classic would be his pick, and he would want to make it his own.
Darryl Polo
Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.