Charles Crowley has made no secret of his ambition to reach a larger stage in professional wrestling. The independent standout, who has worked throughout the United Kingdom and internationally, says he would welcome the chance to sign with a major promotion—not simply for the distinction of a contract, but for the opportunity to present his full creative range to a wider audience.
Speaking in a recent interview, Crowley addressed the prospect directly and made clear that the aspiration is one shared by many performers who have spent years building themselves outside the biggest televised companies. He named WrestleMania as the kind of destination wrestlers dream about while also expressing admiration for what TNA and AEW offer as distinctive wrestling environments.
“Of course I would absolutely love to get signed,” Crowley said. “We all want to be on WrestleMania. TNA has such a cool aesthetic, and the vibe of AEW is unmatched.”
That statement reflects a practical but confident outlook from a performer whose career has not been confined to one lane. Crowley has become a recognizable presence on the independent scene, particularly in the UK, while taking bookings across the world. His work also extends beyond the ring. In addition to wrestling, he is an actor and voice actor, recently joining the Star Wars franchise as Biddy Blass in a racing video game.
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Those outside projects are part of a broader creative profile, but Crowley’s comments centered on wrestling and the importance of being given enough room to show what he can do. He explained that he has invested his own resources into developing promotional material whenever possible. For independent wrestlers, that kind of investment can be essential, but it also comes with limitations when the performer is funding that presentation personally.
A Platform Matters as Much as a Contract
Crowley emphasized that the appeal of a major signing goes beyond the headline value of joining a prominent roster. The key word in his comments was platform. He wants a setting where his wrestling, character work, promo ability, and creative identity can all be viewed by an audience larger than the one available through the independent circuit alone.
“I’ve spent a lot of time, effort, energy, and money on my promos as and when I can,” Crowley said. “I can’t always do that because I’m a struggling artist, but it’s more just the platform to be able to show what I’m capable of.”
That distinction is important. Independent wrestling can provide freedom, variety, and opportunities to travel, but it often requires performers to handle an enormous amount of their own promotion and production. Crowley’s remarks indicate that he sees the value in continuing to develop that work while recognizing what a larger company’s reach could add to it.
His references to TNA and AEW also suggest that he is looking at the industry broadly rather than limiting his ambitions to a single destination. Crowley praised TNA’s aesthetic and described AEW’s atmosphere as unmatched, while also acknowledging the universal scale of WrestleMania as an aspirational target. There was no indication that he was announcing talks, an agreement, or an imminent move to any promotion. Instead, he outlined the type of opportunity he would like to earn.
For a wrestler operating in the current independent landscape, that measured approach is understandable. A major promotion contract can transform visibility, but the work that attracts such interest is usually built over time through matches, promos, character development, and consistency. Crowley’s focus appears to remain on that process.
Rejecting the Idea That Everything Has Already Been Done
Crowley also discussed a piece of advice he received when he first entered wrestling, and it is clear that the memory has continued to shape his mindset. He was told that everything had already been done and that he should not attempt to reinvent the wheel. Rather than accepting that as a useful warning against overthinking, Crowley said it became a challenge he has carried with him ever since.
“When I got into wrestling, someone said to me, ‘It’s all been done before, so don’t try and recreate the wheel,’” Crowley recalled. “And I hated that. I’ve never forgotten it. Ever since then, I’ve tried to prove it wrong.”
It is a revealing answer because it connects the desire for a larger platform to the creative motivation behind it. Crowley is not only describing a wish to appear on bigger events. He is describing a belief that he can offer something that feels distinct enough to stand out when given the chance.
Professional wrestling has always been an industry where performers must balance familiar foundations with individual presentation. The core elements of the medium—matches, rivalries, interviews, entrances, and personalities—have long histories. Yet wrestlers continue to find new combinations of those elements, adapting them to different audiences, promotions, and eras. Crowley’s determination to push back on the idea that originality is impossible speaks to the drive required of a wrestler trying to make an impression in a crowded field.
His investment in promos fits that approach. Promos remain one of the clearest ways for a wrestler to define a persona beyond the bell. For someone competing across multiple independent environments, carefully produced material can help introduce a character to fans who have not seen the performer live. Crowley’s comments make clear that he considers that work a serious part of his presentation, even when the cost of creating it is difficult to absorb.
Confidence Rooted in Continued Work
While Crowley spoke openly about the challenges of being a working artist, he did not frame his situation as a complaint. His outlook was focused on persistence. He said he believes the opportunity will come, provided he continues to improve, continues to work, and does his best with the opportunities in front of him.
“I believe it will happen,” Crowley said. “Just got to keep grinding away, keep getting better every day, and just do my best.”
That kind of answer does not guarantee a particular outcome, and Crowley did not claim that one was already in place. What it does show is a performer with a clear sense of direction. He wants to reach a major promotion, wants the visibility that comes with it, and believes his present work is moving him toward that possibility.
There has also been outside praise for Crowley’s potential. In a separate recent interview, Donovan Dijak said that Crowley would be a household name within two years. It is a notable endorsement from a wrestler with extensive experience in high-profile environments, though it remains a prediction rather than a confirmed development. Still, it adds to the growing attention around Crowley’s work and his prospects.
For Crowley, the immediate message is straightforward: the goal is not changing, and neither is the effort. He is continuing to build his career through independent wrestling while expanding his creative footprint beyond the ring. The Star Wars voice role demonstrates that his abilities can travel into other entertainment spaces, while his wrestling comments underline that the ring remains central to his ambitions.
What Comes Next for Crowley
No major promotion signing has been announced for Crowley. There is also no stated timetable attached to his goal. His own comments, however, leave little doubt that he is actively pursuing the next level and views every match, promo, and creative project as part of that larger pursuit.
Whether that eventual platform comes through TNA, AEW, WWE, or another major wrestling destination remains uncertain. Crowley mentioned all of those aspirations in the context of wanting to show his capabilities, not as confirmation of any current negotiations. For now, his path remains rooted in the independent scene where he has established himself in the UK and around the world.
What is clear is that Crowley does not intend to settle for the idea that wrestling has no room left for new ideas. He is still trying to disprove the advice that stayed with him from the start of his career. A bigger platform would give him more space to make that case, but his comments indicate that he is committed to the work regardless of when that opportunity arrives.
Darryl Polo
Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.