WWE Women’s Champion Chelsea Green is heading into a new arena beyond the wrestling ring after being cast in the comedy-adventure film We Could Be Heroes.
The project was filmed in Ontario, Canada, and places Green in an ensemble that includes Ron Perlman, Peter Facinelli, Mark Elias, Serena Wang, Humberly Gonzalez, Damian Romeo, Sean Benson, Pat Roach and Jason Mewes. The film is being produced under Golden Boy, LLC.
Green’s casting marks another notable opportunity for a WWE performer working across entertainment platforms. While her wrestling career has been defined by a larger-than-life on-screen presentation, We Could Be Heroes gives her a chance to take that presence into a feature-film setting alongside a cast with experience across genre films, television dramas, comedies and popular franchises.
A Comedy-Adventure Built Around Unexpected Circumstances
We Could Be Heroes is described as a comedy-adventure, with director Emami emphasizing that the story balances humor with a more heartfelt foundation. The premise centers on people who are pushed out of ordinary lives and into circumstances that demand more of them than they may have expected.
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“We Could Be Heroes is ultimately a story about ordinary people finding themselves in extraordinary circumstances,” Emami said. “There is a lot of comedy in the film, but underneath that is a story about friendship, courage and discovering that you may be capable of more than you ever imagined.”
That description establishes an accessible emotional direction for the film. The title suggests a story about unlikely heroism, but Emami’s comments make clear that the project is not solely centered on action or spectacle. Friendship, courage and self-discovery are positioned as the key themes beneath the comedy.
For Green, the role comes at a particularly prominent point in her WWE career as she holds the WWE Women’s Championship. Her placement in the film provides another example of how the skills demanded by professional wrestling can translate to a screen production. Wrestling performers work in front of live audiences, develop recognizable characters and must communicate personality quickly and clearly. A film environment presents a different process, but the ability to perform with confidence and connect with viewers remains valuable.
An Ensemble Featuring Familiar Screen Names
Green joins a cast led by several performers recognizable to audiences from major film and television projects. Ron Perlman, widely associated with Hellboy, is among the most established names attached to the movie. Peter Facinelli, known for The Twilight Saga, also brings franchise experience to the production.
Mark Elias, who has appeared on 9-1-1: Lone Star, is part of the lineup, as are Humberly Gonzalez and Damian Romeo, both known for work on Ginny & Georgia. Sean Benson of The Boys, Pat Roach of The Trailer Park Boys, Jason Mewes of Jay & Silent Bob, and newcomer Serena Wang round out the announced cast.
The range of backgrounds represented in the group fits the stated comedy-adventure identity. Perlman’s career includes major genre projects, while Mewes has long been associated with comedy. The television credits attached to other cast members also point to a group familiar with character-driven storytelling. Green enters that setting with a distinctive profile of her own, coming from the highly visible and performance-heavy world of WWE.
No further details about Green’s character, the specific roles of the other cast members, or a release date were included with the casting announcement. As a result, the scope of Green’s part and how her character fits into the film’s central group have not been revealed.
Green Expands Her Entertainment Portfolio
The news arrives while Green is carrying championship status in WWE, making the film role a significant addition to an already active public profile. Wrestlers have historically moved between the ring and other forms of entertainment, from acting and hosting to reality programming, voice work and brand-focused appearances. Those opportunities can introduce performers to audiences who may not regularly follow weekly wrestling television.
Green’s established WWE persona has made her a natural fit for roles requiring a strong screen presence. Professional wrestling asks performers to react in the moment, work with a defined character, tell stories through physicality and maintain a clear connection with the audience. Those are not identical to the demands of filmmaking, but they can provide a useful foundation when entering a scripted project.
At the same time, a comedy-adventure can require performers to work within a different rhythm from live wrestling. Scenes are built through multiple takes, edited performances and interaction with an ensemble rather than a crowd responding in real time. Green’s involvement in We Could Be Heroes will therefore represent a different kind of performance opportunity, one shaped by the film’s story rather than the immediate energy of a WWE audience.
Because the production was filmed in Ontario, it also carries a Canadian connection for Green. The movie’s location gives the project a setting outside WWE’s regular touring environment and places it within a regional film production landscape that has supported a wide variety of television and movie work.
The Importance of a Role Without Overstating It
The announcement is a casting development rather than a full reveal of the film’s plot, release strategy or promotional campaign. There is not yet enough information to determine the size of Green’s role or whether her character will be central to the story’s extraordinary circumstances. What is confirmed is that she is part of the film’s cast and that the completed production was shot in Ontario.
That distinction matters as interest naturally follows WWE talent into outside projects. A casting announcement can create excitement, particularly when a reigning champion is involved, but it does not establish the eventual direction of the film or the nature of a performer’s screen time. Those details will become clearer only if additional information about the project is announced.
Still, the opportunity is meaningful in its own right. Green is working in a project featuring actors with recognizable credits and a director who has identified a clear thematic aim for the story. The stated focus on ordinary people discovering unexpected strength could create room for a broad ensemble dynamic, with comedy serving as the entry point to a more sincere message about personal growth.
For wrestling fans, the casting creates another reason to follow Green’s work beyond WWE programming. For film audiences, it offers a chance to see a current WWE Women’s Champion in a different kind of role. The crossover appeal is straightforward: Green brings a built-in wrestling audience, while the rest of the cast brings connections to several established film and television fan bases.
What Is Known About ‘We Could Be Heroes’
- Genre: Comedy-adventure.
- Filming location: Ontario, Canada.
- Production: Golden Boy, LLC.
- Confirmed cast: Chelsea Green, Ron Perlman, Peter Facinelli, Mark Elias, Serena Wang, Humberly Gonzalez, Damian Romeo, Sean Benson, Pat Roach and Jason Mewes.
- Director’s stated themes: Friendship, courage and recognizing one’s own potential amid extraordinary circumstances.
Green’s next steps with the film have not been detailed, and no release date was announced alongside the cast news. Until more is revealed, the key takeaway is that the WWE Women’s Champion has secured a role in an ensemble comedy-adventure with a defined message at its core.
We Could Be Heroes may ultimately be a story about people discovering they can do more than they believed possible. Green’s casting adds a fitting real-world angle to that theme: a champion whose work is already rooted in performance and character stepping into a new medium, joining a film ensemble and extending her reach beyond the squared circle.
Darryl Polo
Darryl Polo is a passionate wrestling fan covering WWE, AEW, TNA and beyond. He loves great rivalries, breakout stars and the moments that keep fans talking long after the bell. How we work.