AEW is set to return to Twitch as part of the promotion’s programming around Blood & Guts, adding another digital component to the buildup for one of the company’s signature multi-person attractions.
The announcement places Twitch back in AEW’s promotional plans ahead of Blood & Guts, an event concept built around high-stakes faction warfare inside the double-ring steel cage. AEW has used digital platforms in a variety of ways across its history, from pre-show coverage and supplementary programming to interviews and fan-focused content. A Twitch return before Blood & Guts gives viewers another destination to follow the event build outside of AEW’s regular television schedule.
Specific details regarding the format, participants, runtime, and exact streaming schedule were not included in the announcement. As a result, it remains unclear whether the Twitch presentation will be centered on a preview show, live discussion, interviews, archival material, or another form of event-week programming. What is confirmed is that AEW is planning a Twitch presence before Blood & Guts.
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Blood & Guts has become one of AEW’s most distinctive stipulations, taking inspiration from the WarGames-style cage format while maintaining its own presentation. With two rings enclosed by steel, the match is commonly used to bring major rivalries and group conflicts to a decisive point. That history makes any added programming in advance of the event notable, particularly for fans looking for more context as the card takes shape.
For more background on this topic, read Drew McIntyre Calls Roman Reigns His ‘Kryptonite’ and Eyes Unfinished WWE Business.
WWE Adds Raw Countdown And Kane Vault Footage
WWE continued its steady flow of digital material with a new edition of WWE Top 10 focused on the biggest moments from the October 26, 2026 edition of Raw. The recurring feature packages together the show’s most notable developments, giving viewers a condensed look at key action and storyline movement from Monday night.
The Top 10 format has long served as a quick recap tool for WWE’s weekly programming. It is particularly useful after episodes packed with multiple matches, angles, and post-match developments, allowing fans to revisit the moments WWE has selected as the most important from the broadcast.
WWE also released footage featuring Kane from the WWE Vault as part of its Monsters Week Watch Party material. The footage centers on Kane’s “Titanic” battles with Brock Lesnar, The Undertaker, Vader, and others. Kane’s career was defined in large part by his presentation as one of WWE’s most imposing monsters, and the archival collection highlights bouts and confrontations involving several of the promotion’s most physically dominant names.
Lesnar, The Undertaker, and Vader each represent different eras of WWE heavyweight competition, making the collection a broad look at Kane’s longevity. Whether he was positioned as a destructive villain, an uneasy ally, or a rival to fellow giants, Kane’s matchups with those opponents helped reinforce the scale and durability of his character over the years.
Independent Promotions Continue Building November And December Cards
Outside of the major national promotions, several independent companies announced matches, appearances, and business developments for the months ahead.
Dragon Gate Pro Wrestling and OTT Wrestling are now featured on the Dropkickd platform. The addition brings two established names in international independent wrestling to the service. Dragon Gate has long been associated with its fast-paced in-ring style and deep roster of homegrown talent, while OTT has developed a passionate audience through its events and place within the Irish wrestling scene.
Rudy Lockhart has been announced for Produit Part Deux in December. The booking adds Lockhart to the event’s lineup as the promotion continues revealing its plans for the show.
Another championship match has been set for PRODUCE Fresh, where Darian Bengston will defend the ACTION World Championship against Martin Stone. Bengston enters the bout with the title on the line, while Stone has the opportunity to leave the event as champion. No result has taken place yet; the announcement establishes the match as an upcoming title defense.
Lucha Fresca has also confirmed a tag team match for November: Dolphin Funeral will face Eden and Mateo Marcelos. The match brings together two sides that will look to establish momentum on the November card.
In the United Kingdom, NHB x Rise UK has scheduled Lou Nixon versus Danny O’Doherty for November. The bout gives both wrestlers a prominent singles assignment on the collaborative event.
Mina Shirakawa is also set to appear for Crimson City Fights in January. Shirakawa’s announcement adds an internationally recognized name to the promotion’s plans at the start of the new year.
Beyond Wrestling Makes Ticket Push For Wrestling Open
Beyond Wrestling has outlined the immediate ticket support needed to keep Wrestling Open running in Connecticut. The promotion stated that it needs to sell 200 tickets each week throughout November in order to maintain the event.
The message is a direct reminder of the economic realities facing recurring independent wrestling shows. A weekly series requires more than a strong card or enthusiastic online response; it also depends on reliable live attendance to cover the regular costs connected to venue operations, production, talent, travel, staffing, and promotion.
Wrestling Open has been a consistent platform within Beyond Wrestling’s ecosystem, offering wrestlers a place to gain exposure and giving fans a regular live wrestling option in Connecticut. The November target makes clear that continued fan turnout will play a major role in the series’ immediate future.
For independent promotions, ticket sales remain central even in an era where clips, social media engagement, and streaming availability can help broaden a company’s reach. Digital visibility can introduce new audiences to a promotion, but a sustainable local event schedule still relies heavily on people attending in person. Beyond’s public call for 200 tickets per week puts that reality plainly in front of its audience.
Additional Wrestling And Entertainment Notes
Elsewhere, Becky Lynch thanked a local theater in Fresno on social media for welcoming her to the city. The message was a personal note from Lynch during her time in the area.
Bayley has also taken part in a recent interview with Toned In Entertainment. The interview adds to Bayley’s media activity outside the ring, where performers often discuss their careers, current projects, and experiences in wrestling.
Brian Cage shared his thoughts on the film Hereditary, offering a horror-related take away from his in-ring work. Cage is one of several wrestlers who regularly use social platforms to share interests beyond wrestling, giving fans a view of the personalities behind their television and live-event personas.
RJ City also posted an update with the line that he is “DONE with big porn.” The statement drew attention as part of his social media activity, consistent with City’s often comedic and deliberately offbeat public style.
A Busy Digital Day Across Wrestling
Tuesday’s announcements demonstrate the breadth of wrestling activity taking place across television, streaming, social media, and live independent events. AEW’s upcoming Twitch return provides a new point of interest in the Blood & Guts buildup, while WWE’s Raw countdown and Kane archive release give fans fresh ways to revisit both current and historic content.
At the independent level, the updates are equally significant for the promotions and wrestlers involved. Title matches, international appearances, streaming-platform additions, and ticket drives all form part of the day-to-day work that keeps regional and independent wrestling moving forward. Darian Bengston’s defense against Martin Stone, the confirmed Lucha Fresca tag bout, Lou Nixon’s meeting with Danny O’Doherty, and Mina Shirakawa’s January booking each give their respective events an added attraction.
For now, AEW’s Twitch plans ahead of Blood & Guts stand as the largest upcoming digital announcement in the group. Further details on that stream, including what AEW has planned for viewers and when it will air, have yet to be announced.


